The Hero with a Thousand Faces

The Hero with a Thousand Faces The First Popular Work To Combine The Spiritual And Psychological Insights Of Modern Psychoanalysis With The Archetypes Of World Mythology, The Book Creates A Roadmap For Navigating The Frustrating Path Of Contemporary Life Examining Heroic Myths In The Light Of Modern Psychology, It Considers Not Only The Patterns And Stages Of Mythology But Also Its Relevance To Our Lives Today And To The Life Of Any Person Seeking A Fully Realized ExistenceMyth, According To Campbell, Is The Projection Of A Culture S Dreams Onto A Large Screen Campbell S Book, Like Star Wars, The Film It Helped Inspire, Is An Exploration Of The Big Picture Moments From The Stage That Is Our World It Is A Must Have Resource For Both Experienced Students Of Mythology And The Explorer Just Beginning To Approach Myth As A Source Of Knowledge

Joseph Campbell was an American author and teacher best known for his work in the field of comparative mythology He was born in New York City in 1904, and from early childhood he became interested in mythology He loved to read books about American Indian cultures, and frequently visited the American Museum of Natural History in New York, where he was fascinated by the museum s collection of

[KINDLE] ✽ The Hero with a Thousand Faces By Joseph Campbell – Hookupgoldmilf.info
  • Paperback
  • 416 pages
  • The Hero with a Thousand Faces
  • Joseph Campbell
  • English
  • 08 May 2017
  • 9780691017846

10 thoughts on “The Hero with a Thousand Faces

  1. says:

    The Divine Aesthetic of HopeWritten in 1948, Hero With A Thousand Faces is only slightly younger than I am I was introduced to it in my mid twenties, almost half a century ago But upon re reading it I find it as revelatory as it was then By avoiding the idea of faith entirely, Campbell keeps alive a religion of hope Hero With A Thousand Faces is a theology of the God of hope It is a description of this God as a way of perceiving both the world and oneself It presents, therefore, not an aesthetic idea of God, but God as an aesthetic, the Divine Aesthetic.Campbell s Divine Aesthetic is divine because it is the one, shape shifting yet marvelously constant story that we find, together with a challengingly persistent suggestion of remaining to be experienced than will ever be known or told It is both universal and infinite It applies in every culture and in every age It is constantly the same and yet manifests itself in uncountably many ways, in art, music, dance, science, technology, literature, and of course religion Its scripture includes fairy tales and learned treatises Its followers are everyone who can speak, and even infants and the infirm who can t.We live in a world of symbols and complex arrangements of symbols we call stories Some we create for ourselves, some that others create we are born into, and some are essentially eternal These latter appear to arrive with our genes they are quite literally bred into us Befitting their status, these symbols are beyond our control Hence they appear omnipotent in the specific sense that the Divine Aesthetic includes all aesthetics including itself, in defiance of pedestrian, finite, human logic And, who knows, perhaps they are as powerful as they appear We have no way of assessing their scope or the full character of their existence They are part of us yet entirely separate They unite us but allow us to think we are entirely independent of one other They themselves are not divine, as Plato thought but they are manifestations of the incomprehensibly divine made suitable for human consumption.These symbols are gifts we did nothing to earn them And their ostensible purpose is to help us through life, and ultimately into death They are there to comfort and challenge, to explain and confuse, to point out the way forward and to appreciate the road not taken But above all else, these are symbols of hope, that whoever or whatever is their source knows us better than we know ourselves, and knows us to be bigger, larger, comprehensive, inclusive than we can imagine We are the heroes of our own stories, if we are willing to take these stories seriously.To call these stories myths is accurate but, in the way of language, vaguely pejorative since the implication is that they are merely fictional and therefore not a component of reality The word disguises the fact that these stories are the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation These are not conventional moral tales they are stories of adventure, unpredictable, and dangerous adventure, from which we will not survive We embark on our unique adventure but we are never alone Our contemporaries are always there to compare notes, to provide encouragement, to share confusion and pain as necessary And the records of the past adventures of the dead are readily available So our congregation is as large as we care to make it And aside from access to a reasonable library ah, the internet we have no need for additional resources The Divine Aesthetic is Green as well as companionable Of course there are essential rituals within the Divine Aesthetic, points at which one comes closely to the source of the symbols and their stories As Campbell puts it from the tomb of the womb to the womb of the tomb, we come an ambiguous, enigmatical incursion into a world of solid matter that is soon to melt from us, like the substance of a dream It is perhaps that point of melting, which is really our extinction, that each ritualistic step in the hero s journey is meant to emphasize Dust to dust, but between the two is something exciting Or at least we are entitled to hope.

  2. says:

    We studied the Myth Cycle at Uni and I was interested enough to come back to this book years later and read the whole thing It is well worth a read an endlessly fascinating book by a fascinating man The idea is that there is basically only one story, the grand story of our lives, the monomyth This story is told in millions of different ways, but ultimately every story ever told is either just a retelling of this grand story, or it is a re telling of certain aspects of this complete story.I read, probably about a decade ago now, that if you submit a screenplay to Disney for consideration they basically use the myth cycle to judge the worthiness of your script And they ll say things like, So, I wonta hear what you got to say, where s the supernatural assistance from a female divine for gad sake ay, where s dat at Or however it is that Disney executives speak.I fall somewhere further from that particular tree I think the Myth Cycle is a fascinating idea, fascinating in the real sense that in fixates the mind once you begin contemplating it, and it is something I m very glad I ve heard about But would I use it to structure every story I ever write Well, no Is it the touchstone I return to when appraising a work of fiction Again, no Like feminist criticism, Marxist criticism, Freudian criticism, Structuralist criticism, deconstructionalist criticism this particular variety of Jungian criticism is good to know about, but any schema that seeks to encompass the whole of literature is only ever going to end up being a girdle After a short while the constraints and pinching imposed on literature by the theory are sure to become too much to suffer and the restrictive garment needs to be taken off, if not cast aside We may not be nearly as pretty or shapely with these garments off, but at least we can breath.Ideas in the cycle like the rejection of the call come into my mind constantly while reading or watching films the rejection of the call to adventure is a clich in so many texts as it is in life And that is the point, Campbell doesn t see his ideas as being about interpreting literature, but that the interpreting of literature is a way to come to an understanding of our own lives and that is something I wholeheartedly agree with So, rather than take this work as the last word on the structure of stories and the monomyth and the possibilities of self transcendence, this is a book that is better read as an introduction to thinking about literature as a way of coming to understand our own lives.And what better task is there And what surer guide than literature

  3. says:

    I was very excited to read this work because of its potential to teach me a great deal about mythology, but found that it was a total piece of tripe I felt like Campbell was trying too hard to prove his knowledge, which was apparent in the great diversity of myths referenced in the work, but he failed to logically plan the layout of the text I can understand the overall layout of the text, but it didn t work on the chapter section scale It was so disorganized that I often felt like a member of a disaster cleanup team assigned to salvage and rebuild a town Horribly hacked and detached bits of myth were scattered all over the place seemingly stochastically If he would have picked a few myths and analyzed each using his methods and arguments, the book would have flowed much better and I would have enjoyed it much I found myself wondering, Who is the audience of the book At times, it was written for colleges and students of mythology and philosophy, but in other passages it was written for those with a rudimentary knowledge of mythology.Another complaint I had was that Campbell often cited dreams in his arguments about the monomyth, but did little to tie those dreams to the myths or topics he was discussing in the section It seemed like he felt obliged to include psychoanalytical elements to stay cool with his contemporaries.Overall, like a very painful endurance race, I feel like a better man having read it I did glean out some mythology tidbits and was able to follow where Campbell was trying to lead me Unfortunately, the experience hurt needlessly While I m still on my soapbox, I would just like to mention how lame it is when authors add figures to their work, but don t reference or even mention them in their text.

  4. says:

    Full circle, from the tomb of the womb to the womb of the tomb, we come an ambiguous, enigmatical incursion into a world of solid matter that is soon to melt from us, like the substance of a dream And, looking back at what had promised to be our own unique, unpredictable, and dangerous adventure, all we find in the end is such a series of standard metamorphoses as men and women have undergone in every quarter of the world, in all recorded centuries, and under every odd disguise of civilization Joseph Campbell engages here in a comprehensive comparative study of these standard metamorphoses , looking at the primary sources coming from all corners of the world and throughout the ages of mankind From the earliest Assirian records to the dream trances of Siberian shamans, through the labyrinth of the Indian pantheon and into the lofty halls of the Greek Olympos, equally fascinated by the African tribal oral traditions as by the Native American legends or the cosmologies of the Pacific Islands He sees the common threads linking Buddha to Jesus, Tezeus to Viracocha or to Cuchulain the personalities heroes, prophets, gods, role models that stand out of the crowd and define what it means to be human, to be alive, to transcend the limits of the flesh.Campbell calls his conclusion of the study The Monomyth the fundamental structure that appears in different disguises in all the stories, mythologies, fables and folktales he comes across My hope is that a comparative elucidation may contribute to the perhaps not quite desperate cause of those forces that are working in the present world for unification, not in the name of some ecclesiastical or political empire, but in the sense of human mutual understanding As we are told in the Vedas Truth is one, the sages speak of it by many names An extremely ambitious project that is hampered in the eyes of the modern reader by too heavy a reliance on the Freudian psychanalysis instruments so popular at the time the book was written But I can find no fault in the humanist impulse that started the project of mapping the elements that unite us instead of those that divide us and leads us to wars or alienation or simply despair at trying to make sense of the modern world Plus, the encyclopaedic richness of Campbell s bibliographic sources folklore, historical, literary, philosophical, psychological leaves the reader in awe of the monumental scope and the thoroughness in compiling all the disparate elements into a coherent theory The beauty of his approach to the study of mythology is that the same modern reader doesn t feel obliged to accept Campbell s conclusions as dogma they can and should be challenged in the parts that are forced or poorly argumented again that Freudian bias The body of evidence Campbell collected remains the main argument for calling this a seminal work that influenced a plethora of scientists and artists in the aftermath of the first publication see the wikipedia article for an impressive list of emulators The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale as the flavor of the ocean is contained in a droplet or the whole mystery of life within the egg of a flea What is the monomyth According to Campbell it is like a mathematical equation using mythical symbols to describe the hero s journey the cyclical , universal quest of the human soul for understanding the meaning of life, for transcendence, for renewal of the forces of life in face of the abbyss Not everybody is capable of making the journey, and this is where the hero comes in he is the chosen one, the special person who hears the call for adventure, sets out on the perilous road to knowledge, wins the ultimate prize slays the dragon, marries the fair maid, steals the fire from the gods, reaches Nirvana and comes back with the boon to offer it back to his fellow men It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward, in counteraction to those constant human fantasies that tend to tie it back In fact, it may well be that the very high incidence of neuroticism among ourselves follows from the decline of such effective spiritual aid While the main initial appeal for me was in the examples Campbell uses to illustrate the different stages of the hero journey, looking through the numerous bookmarks I made while reading it turns out that what I am left with at the end of the lecture is the connection the author makes to the world of today, arguing that myths and symbols are as important now as they were in antiquity He quotes Arnold J Toynbee in support of the thesis, before engaging in some speculations of his own Schism in the soul, schism in the body social, will not be resolved by any scheme of return to the good old days archaism , or by programs guaranteed to render an ideal projected future futurism , or even by the most realistic, hardheaded work to weld together again the deteriorating elements Only birth can conquer death the birth, not of the old thing again, but of something new Within the soul, within the body social, there must be if we are to experience long survival a continuous recurrence of birth palingenesis to nullify the unremitting recurrences of death from Arnold J Toynbee A study of History, 1934 Campbell s is not the first study of camparative religion and myth that I ve read Mircea Eliade still stand at the top of my list and this book failed to convince me from time to time in the soundness of his arguments, but what I really appreciated in him is the clarity of the exposition, erudite without turning populist, the passion and often the lyrical turn of phrase that evidence his deep rooted humanism The multitude of men and women choose the less adventurous way of comparatively unconscious civic and tribal routines But these seekers, too, are saved by virtue of the inherited symbolic aids of society, the rites of passage, the grace yielding sacraments, given to mankind of old by the redeemers and handed down through millenniums It is only those who know neither an inner call nor an outer doctrine whose plight truly is desperate that is to say, most of us today, in this labyrinth without and within the heart Alas, where is the guide, that fond virgin, Ariadne, to supply the simple clue that will give us the courage to face the Minotaur, and the means then to find our way to freedom when the monster has been met and slain Witnessing the degradation of the popular religions Gott ist Tot spracht Zarathustra and philosophies after two devastating world wars, the rise in psychological problems for the stressed out modern man, Campbell tries to reinvent, to breath new life into the old symbols, to push back against the terror, the unknown, the void This is the role reserved for the hero, in his guise as the redeemer and custodian of rites of passage Beyond them is darkness, the unknown, and danger just as beyond the parental watch is danger to the infant and beyond the protection of his society danger to the member of the tribe The usual person is than content, he is even proud, to remain within the indicated bounds, and popular belief gives him every reason to fear so much as the first step into the unexplored Thus the sailors of the bold vessels of Columbus, breaking the horizon of the medieval mind sailing, as they thought, into the boundless ocean of immortal being that surrounds the cosmos, like an endless mythological serpent biting its tail had to be cozened and urged on like children, because of their fear of the fabled leviathans, mermaids, dragon kings, and other monsters of the deep Campbell s symbols allow for integration of all road openers, creators gods and spiritual fathers into the structure of the monomyth They are the force that oppose stagnation death with renewal life The heroes are the ones who answer yes to the call of adventure Whether small or great, and no matter what stage or grade of life, the call rings up the curtain, always, on a mystery of transfiguration a rite, or moment, of spiritual passage, which, when complete, amounts to a dying and a birth The familiar life horizon has been outgrown the old concepts, ideals, and emotional patterns no longer fit the time for the passing of a treshold is at hand And again, the author reflects on how these myths and legends are still relevant to us The psychological dangers through which earlier generations were guided by the symbols and spiritual exercises of their mythological and religious inheritance, we today in so far as we are unbelievers, or, if believers, in so far as our inherited beliefs fail to represent the real problems of contemporary life must face alone, or, at best, with only tentative, impromptu, and not often effective guidance This is our problem as modern, enlightened individuals, for whom all gods and devils have been rationalized out of existence I feel I am rambling in my notes, so before I continue I must point out that Campbell is organized to the point of fussiness, where every item of his equation has its proper place and order that must be followed like the above mentioned Ariadne s thread to the logical conclusion he wants to make This is an aspect of the book that raised some questions to me about cherry picking the evidence and choosing only those examples that best describe the monomyth while ignoring the counter arguments Sticking to the path also fragments the myths and legends used in the text, leaving me with bts and pieces of the stories where I wished I could read the whole shebang So let s see once again what are the stages of the journey I Departure the chosen one is called on the quest He is reluctant to leave his old life behind but supernatural forces push him on, usually in the form of a wise on who offers aid or advice The road to the magical realm is barred and the gate is usually guarded by a monster After crossin the gate to the new realm, the hero is beset by adversity Campbell calls this chapter The Belly of the Whale II Initiation The hero must pass a series of dangerous tests in order to prove his worth Or do ye think that ye shall enter the Garden of Bliss without such trials as came to those who passed away before you Quoran 2 214 He meets with the rulers of the supernatural world Earth Mother, Temptress, Father figure and then he receives knowledge and powers of his own This chapter was particularly drowned in Freudian imagery and rants about the power of the subconscious.III Return a hero who keeps all these boons to himself wisdom, immortality, treasure, etc is not much use to the rest of the world, so he must return to the lower plane of existence Not all of them do though, choosingto remain detached in their bliss, gazing at their navels or whatnot Others get chased by the Gods of the magical world who would like to keep the secrets of life the universe and everything to themselves The road back is a riddled with perils as the one leading in But the succesful hero is now master of both worlds what Mircea Eliade calls The Sacred and The Profane and gifts his hard won knowledge to the people left behind.IV The Keys the author tries to identify the nature of the treasure the hero has brough back from his journey the individual has only to discover his own position with reference to this general human formula the monomyth , and let it then assist him past his restricting walls Who and where are his ogres Those are the reflections of the unsolved enigmas of his own humanity What are his ideals Those are the symptoms of his grasp of life This is only the first part of the book The second one takes a metaphysical approach and instead of focusing on the details of the hero journey, chooses a cosmological perspective and looks at the dualities of existence at something creating out of nothing, at the cycle of the universe reflected in the rhythm of the solar cycle, of the day night sequence, at birth growth death in all that lives One could say the first part is descriptive informative and the second speculative meditative The sources are the same, with emphasis on genesis stories and folk tales and less on literary, historical one the faces of the heroes familiar ones, whether he or she is a warrior, a lover, a wise Emperor or an abusive tyrant, a saint or mystic redeemer I m afraid I m running out of space for a regular Goodreads review, and I have so many quotes saved that I don t want to lose, so I finish with them and maybe return for comments at a later date In most mythologies, the images of mercy and grace are rendered as vividly as those of justice and wrath, so that a balance is maintained, and the heart is buoyed rather than scourged along its way Humor is the touchstone of the truly mythological as distinct from the literal minded and sentimental theological mood About Viracocha and the creation of the world The essence of time is flux, dissolution of the momentarily existent and the essence of life is time In his mercy, in his love for the forms of time, this demiurgic man of men yields countenance to the sea of pangs but in his full awareness of what he is doing, the seminal waters of life that he gives are the tears of his eyes Stars, darkness, a lamp, a phantom, dew, a bubbleA dream, a flash of lightning, and a cloud Thus we should look upon all that was made Vajracchedika, 32 Sacred Books of the East, transl Max Muller a message against intolerance, an appeal to consider the bigger picture instead of the little slice inherited by your group Instead of clearing his own heart the zealot tries to clear the world The laws of the City of God are applied only to his in group tribe, church, nation, class, or what not while the fire of a perpetual holy war is hurled with good conscience, and indeed a sense of pious service against whatever uncircumsiced, barbarian, heathen, native or alien people happens to occupy the position of neighbor why all religions are worthy of study Symbols are only the vehicles of communication they must not be mistaken for the final term, the tenor , of their reference No matter how attractive or impressive they may seem, they remain but convenient means, accomodated to the understanding Hence the personality of personalities of God whether represented in trinitarian, dualistic or unitarian terms, in polytheistic, monotheistic or henotheistic terms, pictorially or verbally, as documented fact or apocalyptic vision no one should attempt to interpret as the final thing The problem of the theologian is to keep his symbol translucent, so that it may not block out the very light it is supposed to convey an argument against stagnation A god outgrown becomes immediately a life destroying demon The form has to be broken and the energies released about the need to belong The problem of mankind today is precisely the opposite to that of men in the comparatively stable periods of those great coordinating mythologies which now are known as lies Then all meaning was in the group, in the great anonymous forms, none in the self expressive individual today no meaning is in the group none in the world all is in the individual the joy of diversity It is necessary for men to understand, and be able to see, that through various symbols the same redemption is revealed Truth is one, we read in the Vedas the sages call it by many names A single song is being inflected through all the colorations of the human choir General propaganda for one or another of the local solutions, therefore, is superfluous or much rather, a menace The way to become human is to learn to recognize the lineaments of God in all of the wonderful modulations of the face of man and finally, the true need for the hero It is not society that is to guide and save the creative hero, but precisely the reverse And so every one of us shares the supreme ordeal carries the cross of the redeemer not in the bright moments of his tribe s great victories, but in the silences of his personal despair

  5. says:

    I first read this book when I was 19 It saved both my step father s ass and my soul.I have always been a fan of mythology and folklore, and Joseph Campbell pulls tales from many cultures to show how mankind has virtually the same heroic journey tucked away in its subconscious regardless of culture or even time He also explains the importance of myths, which is something lots of people can t grasp because they can t get over the fact the stories aren t real Myths were never meant to be facts and would lose their significance if they were They are meant to be sources of inspiration that a person of flesh can turn to in order to face a harsh reality with courage.Here s how this book saved a soul and an ass There s a chapter that at first made no sense to me called The Hero as Emperor and as Tyrant My problem with the chapter was that heroes aren t tyrants they slay tyrants Shortly after reading this my drunken violent step father got out of line with me.I had pushed back against my step father for years, but suddenly this fight went very different There was a point where we both realized that if I kept fighting it would be a massacre He retreated, and I wanted to give chase I wanted to make him pay for the tiny child he terrorized for years and that kid s sister too Then the chapter suddenly made sense So I beat him to a pulp, then what Is violence now my new answer to everything Perhaps I could figure out an appropriate line to draw where I would turn away from reason and towards force.maybe The I thought about it, the It seemed like I would only end up supplanting one monster with a bigger stronger one I then realized that if I was going to prove my true strength, I would have to abandon the easy and probably satisfying task of crushing my step father and instead take on the daunting task or conquering my own rage So I let him get away, though I did spend the next six months shooting him looks that made him clear out of my vicinity.I seem to have a weird kind of luck in that I often end up reading the book I need at the time I need it, and this is a perfect example But personal anecdotes aside, I found the entire book enjoyable

  6. says:

    Ever since I was a child, I have been fascinated by the similarities between Hindu myths and Greek myths Then during my early twenties, I discovered Campbell and said to myself Voila Somebody has noticed it before me Ever since then, I ve been a Campbell fan.The structure of the monomyth is so prevalent in many hero cycles, fairy tales, children s stories and popular films so it s a wonder how anybody can miss it Campbell does an exhaustive job of digging through various mythologies of the world and bringing the similarities to light.Whether you are a serious student of myth or just an ordinary person who loves stories, this book will hold you spellbound.

  7. says:

    Mythology helps us experience the rapture of being alive I think this is the central takeaway from Campbell s work Modern academics have absolutely correctly criticized Campbell s work, e.g his broad sweeping assertions and shaky at best methodologies But on this basic point Campbell was and maybe still is nonpareil.You can dismiss Campbell on many levels But on this one point I don t think you can easily dismiss him or this impactful text which is pretty much his master work.I know people get overly reverent about the man and his work, and overlook a lot of flaws that make serious scholars scream So yeah I get it It s a 70 year old text It s got some flaws and the field has progressed But I think you can throw the baby out with the bath water if you don t get that one key insight mythology helps people experience the rapture of being alive.If you fail to get that one really important takeaway, you have wasted your time reading this text Start over from page one Watch the Bill Moyers PBS thing Do what ever you have to do But get that nugget Beyond that, I actually don t have anything to contribute to the volumes of rightful praise this book has already received But I can feel an overwrought, really pretentious, crabby, and potentially even dickish rant bubbling up from the depths of my soul So consider yourself warned I m ranting because another GR user gave this brilliant text a 1 star review, which is not so special, but 43 other GR users liked that POS review, and it is now ranked at 3 based on said likes 1 star Really 1 starlike 1 star For realYou and 43 other geniuses think Joseph Campbell s utterly original, ground breaking, world changing, comprehensive comparative survey of world mythology, and subsequent discovery of a meta framework i.e the mono myth that underlies just about all of the worlds mythological systems, and the additional absolutely astounding achievement of integrating this insight with Jungian psychoanalytic theory, written in the 1940 s, on a manual typewriter, and researched in books, before google, and adopted by popular culture and highbrow literature alike in the form of the heroes journey , which provided the basis for films like Star Wars, and well, just about every other piece of modern story tellingthat s a 1 star achievement Hmmmm.That same GR user refered to Campbell s staggeringly important text as a total piece of tripe.WowTotal tripe Meaning, nonsense, or rubbish.That seems a little ungenerous.So what are the reviewer s let s call him Lone Star complaints I m assuming it s is a dude because.we ll.1 star.Anyway.Lone Star quips that Joseph Campbell failed to logically plan the layout of the text and didn t work on the the chapter section scale That same user gave an admittedly cool af looking graphic novel 5 stars.Ok So would Lone Star have given Campbells masterwork an additional star or two if it were limited to 30 pages, and illustrated with Manga style pictures and word bubbles Would Lone Star also complain that Henry Ford s first ever 1913 assembly line was crappy because it only produced 1 car every 12 hours Would Lone Star assert that Mozart s music has too many notes, or that Lincoln s Gettysburg address is too long, and should have been a TED talk, or that Shakespeare says old sounding words and should talk normal, or that the Sistine Chapel would be better if it was animated, or that the film adaptation of Streetcar Named Desire should have been in color, or that the sermon on the mount should have been shortened to 140 characters and dropped on Twitter Get it I just provided an ironic list of examples of important works of culture, and then gave intentionally banal critiques of them, based on a comical fictional misunderstanding of the historical context of the work, that would have to be considered in order to to properly understand it.Get it LOL right Anyway.Lone Star continues Campbell s peerless work of scholarship contained horribly hacked and detached bits of myth, scattered all over the place seemingly stochastically Stochastically Touch Did Lone Star select that little zinger of a word from the thesaurus feature on the smart phone he was working on Maybe he originally put random, but looked it up and picked stochastically because it sounded smarter.Damn To bad Campbell didn t just do that kind of thing when he wrote his visionary text that changed everything AnywayHere s a couple of quotes from another DWM that express my feelings far better than I myself am able Talent hits a target no one else can hit Genius hits a target no one else can see Arthur Schopenhauer or appreciate Me Every man takes the limits of his own vision for the limits of the world Arthur Schopenhauer particularly college undergrads MeSo how lame is it for a 50 year old man me to troll a random 20 year old on GR Exceedingly lame Admittedly But 1 star, and 43 likes Dude

  8. says:

    This is one of those books which is very difficult to read Campbell offers mythology examples from all over the world to build his framework It is a book you need to read slowly to digest it, and read you should the framework for the hero is important

  9. says:

    Myths are essential to our lives because they reveal what is culturally important to us and they flourish via story telling from the oral tradition of yore to the modern bits gigabytes, one generation passes on its stories to the next thusly our Collective Unconscious thrives.Joseph Campbell s stated aim was to uncover some of the truths disguised for us under the figures of religion and mythology by bringing together a multitude of not too difficult examples and letting the ancient meaning become apparent of itself He felt that we must learn the grammar of the symbols, and as a key to that mystery considered psychoanalysis the best modern tool to serve as an approach The second step will be then to bring together a host of myths and folk tales from every corner of the world, and to let the symbols speak for themselves Campbell then presents a multitude of heroic figures through the classic stages of the universal adventure Monomyth to reveal the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom The Hero of the Monomyth thus assumes thousand faces across religions cultures, showing universal generic affinities shared by the mythic tradition It was great reading about Kabbalah, Bhagavad Gita, Buddhism, Maori poetry often on the same page The bibliography here is a sheer pleasure as it ll give you the opportunity to add lots lots of books also reveal the vast sweep of Campbell s reading in mythology, ethnology, folklore, philosophy, psychology, contemporary, medieval, and classical literatures of the West, and religious scriptures of the world I read this in preparation for the Barth book Giles Goat Boy who understands myths fables better than the great Barth who cut his teeth on the Classics then celebrated them with his fixation on stories, stories, still stories But the book is delightful insightful on its own studying the myths via a psychoanalytic approach based on Freud, Jung s writings, the representation of mythic traditions in different religions cultural practices, a presentation of myths across time space their application to our lives There were some howlers though view spoiler kabir was not a Persian poet mystic he was an Indian one The brahminical thread is a cotton thread worn by the members of the three upper castes the so called twice born of India Wrong It s worn only by the Brahmins after the requisite Upanayan ceremony.Unlike Krishna, Balaram was Yashoda s natural son hide spoiler

  10. says:

    Joseph Campbell has done a lot of good work in this book and others Unfortunately the good of the work was research His theories themselves not so much the pattern spotting as his rather shallow interpretation of the material, which is basically glorified self help are very easy to ignore Read him to steal his stories and then regale your friends with them, much embellished, if need be the beauty of these stories is that they speak directly Also get as many of the books he references as you can, or if you are precious with your time, just make notes of them I have yet to track down enough of these.Here is one African creation myth which may be from The Power of Myth Originally everyone dwelt within the earth and knew no other way until, one day, a rope dropped down Everyone gaily clambered up it The last to do so was an incredibly fat person As this mass began to climb the rope snapped, and so people were forever cut off from the earth.One day a Rakshasa approached Shiva and demanded his wife, Parvati Shiva politely informed the lout that Parvati was his wife and that he was,obviously, Shiva The Rakshasa did not seem much affected by this news and simply demanded anew Shiva now lost patience and created a monstrous creature, designed to eat the intruder At the sight of this fearsome beast the Rakshasa fell to his knees and begged for mercy, which Shiva duly, and graciously, granted The Rakshasa fled Now, though, the newly made beast spoke up, complaining, understandably that it was ravenous since, after all, it had been created hungry in order to better facilitate its inevitable task On hearing this reasonable complaint Shiva instructed the creature to eat itself, which it duly did I may, in time, add that I have told from time, to time.

Leave a Reply

Your email address will not be published. Required fields are marked *